Thomas Girtin
English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
   1 2 3 4
 
 Prev Artist   Next Artist 
Thomas Girtin Guisborough Priory, Yorkshire oil painting


Guisborough Priory, Yorkshire
1801(1801) cjr
Painting ID::  94493 		Thomas Girtin
Guisborough Priory, Yorkshire
1801(1801) cjr
   
   
     
Thomas Girtin Kirkstall Abbey, Yorkshire oil painting


Kirkstall Abbey, Yorkshire
1801(1801) Dimensions 30,5 x 52 cm cjr
Painting ID::  94494 		Thomas Girtin
Kirkstall Abbey, Yorkshire
1801(1801) Dimensions 30,5 x 52 cm cjr
   
   
     
Thomas Girtin In the Scotch Borders oil painting


In the Scotch Borders
cjr
Painting ID::  94495 		Thomas Girtin
In the Scotch Borders
cjr
   
   
     
Thomas Girtin Near Bolton Abbey oil painting


Near Bolton Abbey
33 x 52 cm cjr
Painting ID::  94496 		Thomas Girtin
Near Bolton Abbey
33 x 52 cm cjr
   
   
     
Thomas Girtin Rue Saint-Denis in Paris oil painting


Rue Saint-Denis in Paris
1802(1802) Dimensions Deutsch: 39 x 49 cm cjr
Painting ID::  94497 		Thomas Girtin
Rue Saint-Denis in Paris
1802(1802) Dimensions Deutsch: 39 x 49 cm cjr
   
   
     
         1  2  3  4
Prev Artist       Next Artist     
     Thomas Girtin
     English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms

Xiamen China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team